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恶之花——论苏童小说中“恶”的审美范式.pdf

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恶之花——论苏童小说中“恶”的审美范式.pdf

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恶之花——论苏童小说中“恶”的审美范式.pdf

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文档介绍:华中科技大学
硕士学位论文
恶之花——论苏童小说中“恶”的审美范式
姓名:王蓓
申请学位级别:硕士
专业:中国现当代文学
指导教师:蒋济永
20061108
华中科技大学硕士学位论文
摘要
苏童是现当代文学中一位不可忽视的作家,他的小说以凝炼、舒畅见长。他既
有莫言的“寻根”,又有马原的诡秘,这使得他的读者常常陷于他的叙事圈套,从而
使他的文本具有很大的难解性。
本文用情感现象学的方法具体分析了苏童小说文本独特的审美表现范式,这种
审美范式它具体表现为:以“恶”为书写对象,并通过“本能活动的放纵”,“怨恨的确
立”以及“爱的秩序的迷失”的途径来具体的展开“恶”的审美内涵。它与传统的审美含
义不同,传统是:将善作为美的最高追求,对恶采取漠视的态度。但实际上并非所
有的“恶”全都以丑的面目示人,当它以和谐的艺术形式出现时,是可以具有审美价
值的。因此,我们将这种审美形式称为“恶”的范式展开,从其在文本中具体表现的
途径生发开来,并由此而分析“恶”的范式在苏童的小说文本中表现出来的审美特
征。由于这种“恶”的抒写在文本中的贯穿,带来了新的戏剧观念,本文将运用传统
和现代对照的方法,就悲剧和喜剧两方面在苏童文本中引起的具体变化作一些阐
述。最后本文将论述这种“恶”的范式所产生的文艺理论价值,来考察“恶”在文学中
的价值和意义。
关键词:苏童;现象学; “恶”; 审美范式;
I
华中科技大学硕士学位论文
Abstract
Su Tong is a noticeable writer in Chinese cotemporary literature, his novel is good
in conciseness ,and grows perceptibly happy. He has the character of MoYan what is
search father, and also has the character of Ma Yuan what is anagogic , this causes the
reader to sink into his narrative snare frequently, has made the multiple explanations for
his text.
This article has specifically analyzed the unique esthetic performance normal form
of Su Tong’s novel text with the emotion phenomenology method. This kind of esthetic
model is that take “evil” as the object, and through the way which is “the instinctive
activity indulging”, “the establishment of hate”,“the order of love is lost ” to unfold the
“evil” esthetic normal form connotation. It is different from traditional esthetic
meaning .The tradition of aestheics takes the kind faith as highest target of aestheics, but
ignores evil . However, not all the “evil” show as awful appearance. It is may have the
esthetic value when it appears by the harmonious artistic form. Therefore, we called this
esthetic form as the unfolding of evil normal form. This paper will revolve the “evil
normal form” that is repeatedly appeaded in his novel to dispread. And from this to
analyze esthetic characteristic of “evil” which displays in the Su Tong's novel text.
Because of the