文档介绍：湘潭大学
硕士学位论文
论波德莱尔的唯美主义文艺观
姓名:郭晶晶
申请学位级别:硕士
专业:比较文学与世界文学
指导教师:曾思艺
20050401
Abstract
Baudelaire, a representative poet in the western modern literature history,
provides much resource for academic research. Books and articles on Baudelaire
are considerable both in China and abroad, most of which put emphasis on the
interpretation of his poetry and Symbolist poetics. Aesthetic is an important part of
Baudelaire’s aesthetic thinking, but the research effort in this respect is far from
adequate. This thesis intends to position his Aesthetic literary criticism in the
coordinate of literature development, giving it a three-dimensional analysis from the
respects of the shaping of his Aesthetic literary criticism, ponents and its
comprehensive evaluation. Baudelaire’s Aesthetic literary criticism, taking the
drastic social-culture change in 19th century as its background and kant’s
philosophy aesthetics as the theoretical foundation, did not remain constant. On the
contrary, it shifted from utilitarianism to aestheticism under the influence of varied
factors. Baudelaire put up a couple of aesthetic principles such as ‘poetry has no
purposes other than itself’,‘ the purpose of poetry is to dig up beauty out of
evil’,‘ poetry should represent essential truth’, and ‘art is amoral’. This shows that
his Aesthetic view on art stands in a dialectical relation with other literature and art
views of his.
Baudelaire’s aesthetic literary criticism possesses all mon
characteristic of Aestheticism and at the same time has its own uniqueness. He
broken into the forbidden area set up by the classical anesthetists for the first time
and put forward the creative principle, dig up beauty out of evil, which contributed
much to Aestheticism and even the western literature history, and exerted a
far-reaching influence on the whole Aesthetic Movement.
Key words: Baudelaire; Aesthetic literary criticism; Uniqueness; Theoretical