文档介绍：: .
筑主体相连。
Courtesy of Dimitris Thomopoulos 图片由 Dimitris Thomopoulos 提供
The six sections of the exhibition concern two separate topics: the first five referto underwater antiquities, while the sixth one is related to the silo building and its
original use. This distinction is increased by developing the sixth topic throughout the
rest exhibition, rather than remaining strictly separated.
展厅的这六个部分主要涉及两个独立的主题：前五个部分是水下文物的，而第六
个部分有关的筒仓建设和其原用途。这种区别通过开发整个剩下的展厅的第六个
主题而得以加强，但还是彼此严格区分开来。
Courtesy of Dimitris Thomopoulos 图片由 Dimitris Thomopoulos 提供
The design concept is that the visitors’ circulation in the museum follows proportional
the function’s route of the original use of the building. The main exhibition spaces are
located mostly in the typical part of the silo building, within the area of the cells. The
way the cells were handled refers to the character of the exposed antiquities, the time
capsule and the closed sets of marine excavations. The closed shells are sculpted in
such way that create succession subgroups reminding underwater caves where
individual exhibition sections are organized.
其设计理念是游客在博物馆内的流动符合建筑原来用途的路线。主展览空间主要
位于筒仓建设的典型部分。各个小厅的安置是通过展出古物、时间阶段、海洋发
觉封闭阶段的特点而定。这些封闭的建筑都以这种方式雕刻而成，构建了继承性
群体，能让人们想到水下洞穴，而那里的展厅都是彼此独立的。Courtesy of Dimitris Thomopoulos 图片由 Dimitris Thomopoulos 提供
The former port area and Kekropos highway consists a strong barrier between the city
and the sea. Concept design of the regeneration of the coastal zone of OLP, is the
creation of a new “Pier Culture” and its connection with the city through the
activation of the nearby open spaces and archaeological sites. The region where the
new cultural activities are sited forms an area of supra local character, a promenade
for residents and visitors, and beyond to it a more localized