文档介绍：现代舞之“力”的探讨
摘要: 文章从“力”的角度阐释了20世纪开始西方世界如火如荼发展的现代舞艺术,分四个层次论述了世界著名的艺术家、舞蹈家有关力的学说:美国著名符号学家苏珊?朗格对舞蹈的力的认识,西方现代舞之父冯?鲁道夫?拉班通过创立“力效理论”揭示了舞蹈的“力”的奥秘,20世纪三大艺术巨匠之一、美国现代舞奠基人玛莎?格雷姆有关“力”的探索和另一位美国现代舞蹈奠基人多丽丝?韩芙莉对舞蹈“力”的揭示。文章通过分析最终得出了结论:现代舞是以最纯粹的生命状态――“力”的方式将隐秘的人性、生命的体验诉诸于人体并加以呈现的。
Abstract: This essay expounds the modern dance art developing in western nations from 20th century from the “force”. From four levels discussed the theory about force of world famous artists, dancers: “force to the dance” put forward by Susan Lange who is the famous America artist, the father of western modern dance named Rudolf Von Laban tried to reveal the dance “force” with the theory of “force effect”, one of the three art giants in 20th century named Marsha Graham was going about to explore the force in dance, and Doris Humphrey who is the founder of American modern dance attempt to reveal the dance force. Eventually, the author draws the conclusion that the modern dance is the most pure way to express the human nature and life experience
which resort to human body.
关键词: 现代舞;力;玛莎?格雷姆;多丽丝?韩芙莉
Key words: modern dance;force;Marsha Graham;Doris Humphrey
中图分类号:J7 文献标识码:A文章编号:1006-4311(2011)11-0326-02
0引言
舞蹈是力的运动,美国著名的符号论美学家苏珊?朗格曾经这样解释“舞蹈是一种虚幻的力,并且它不是物理上的力,而是专为视知觉而创造的力”。而同样以“力”的不同方式来阐释舞蹈艺术的现代舞蹈家们更是不胜枚举,他们以层数不穷的舞作探索不断地印证着自己的观点。本文试图通过对“力”的探讨来解读20世纪代表西方社会一场如火如荼的精神革命的现代舞发展,以期能够为愈加深远的舞蹈创作实践抛砖引玉。
1苏珊?朗格的