文档介绍：绵阳滨水景观保护性规划中对羌族文化的体现探究
论文题目:绵阳滨水景观保护性规划中对羌族文化的体现探究
专业:设计艺术学
硕士生:(签名) 殷辉__
指导教师:(签名) 吴昊教授_
摘要
从滨水城市的发展史来看,滨水区是城市发展的起点,它体现的是城市发展
的历史折射和人类文明的发展历程,因此滨水区是一个城市历史与文化积淀最深
的地方,是最能展示城市风貌的地段。近年来随着我国国民经济的飞速发展,城
市建设的加快,使全国各地掀起了滨水景观设计的热潮。但大部分滨水景观设计
偏向西化,对西方发达国家的滨水景观建设盲目的推崇和借鉴,造成城市滨水景
观建设的一体化。忽视了滨水景观只有生长在不同的城市文化之中,才能呈现出
千姿百态的变化,才能体现其内涵。
鉴于这种状况,本论文以四川省绵阳在城市滨水景观设计为例。通过对绵阳
市滨水环境的现状及存在的问题的了解和对羌族文化的历史发展、民族特色和内
涵的分析,探讨如何将羌族文化与绵阳涪江滨水景观完美的结合起来。让涪江滨
水景观的设计充分地继承了羌族传统的历史文化元素,使羌族文化在绵阳得以继
承和发展。
关键词: 滨水景观、羌族文化、涪江滨水区
I
绵阳滨水景观保护性规划中对羌族文化的体现探究
Subject: Mianyang waterfront landscape protection planning
of Qiang culture research
Specalty: Designed Arts
Name: (Signature)_________
Instructor: (Signature)_________
ABSTRACT
From the history of the development of waterfront city, waterfront is the starting point
for the development of the city, it is the embodiment of the city development history
and the development of human civilization, so the waterfront is a city of history and
culture in the most deep place, is the best way to show the features of the city area. In
recent years along with the rapid development of the national economy, city
construction, make countrywide each district lifted the upsurge of waterfront
landscape design. But most of the waterfront landscape design of bias westernization,
the developed countries in the west of the waterfront landscape construction blindly
praise and draw lessons from, causing the city waterfront landscape construction
integration. Ignore the waterfront landscape has only grown in different city culture,
to show the changes in different poses and with different expressions, in order to
reflect its connotation.
In view of this situation, this thesis in sichuan province mianyang city waterfront
landscape design as an example. Based on the mianyang city waterfront environment
present situation and the existence question understanding and