文档介绍：河北大学
硕士学位论文
传统艺术中的花钿研究
姓名:吴倩
申请学位级别:硕士
专业:艺术学
指导教师:刘宗超
20100601
摘要
摘要
花钿是我国古代女子用来贴在两鬓、眉间或面颊上的一种花朵形装饰物,是我国
古代妇女面部化妆的一种方法,也是我国服饰文化的一个组成部分。花钿起源于秦汉
时期,在唐朝时期鼎盛发展,没落于宋元年间,途经了千年的历史。
花钿的形状缤纷复杂,颜色丰富多彩,表现形式多种多样,关于花钿的起源在历
史文献中有着不同的记载,描绘关于花钿的诗词和绘画作品也是数不胜数。在古代绘
画、文学等艺术作品中,花钿不仅展现了女性的美丽和智慧,还点缀衬托了女性的生
活状态及精神世界,虽然这种化妆方式现在人们已经不再使用,但我们还是能够透过
花钿了解到古代女子的美丽智慧,以及她们对于装饰、审美的情趣和追求,同时,它
也从不同的角度反映了当时社会的物质与精神文明的状况。
本文主要研究花钿的来源、形态、特征、制作、使用、图案的象征意义、在美术
和文学艺术作品中的作用和价值。从审美角度入手,以作品类型为轴,探讨花钿的装
饰意义、功能意义和象征意义,并从中追溯人类的精神文明及情感追求。

关键词:花子面靥梅花妆面饰珠钿
I
Abstract
Abstract
Flower tin woman in ancient China used to paste the temples, brow or cheek of a
flower-shaped decoration, face make-up of women in ancient China one way, but also our
culture, an integral part of clothing. Tin flower originated in the Qin and Han period, the
peak period of development in the Tang Dynasty, the decline in the Song and Yuan
Dynasties years, through a thousand years of history.
plex shape of colorful flowers and rich colors, in different forms, the origin of tin
on the flower has a different historical documents in the record, described on the spent tin of
poems and paintings are also numerous. In ancient art, literature and other works of art, the
flower-tin not only demonstrates the beauty and wisdom of women, but also interspersed set
off the living conditions of women and the spiritual world, although this make-up method is
now no longer in use, but we can through had spent tin understand the beauty of the ancient
wisdom of women, and their for decoration, aesthetic taste and pursuit, while it from
different angles reflect the social status of the material and spiritual civilization.
This paper studies the source of tin flowers, form, characteristics, production, use, patterns
of symbolic meaning, artistic and literary and artistic works in the role and value. Starting
from the aesthetic point of view, to work type of axis, meaning of flowers tin decorati