文档介绍：摘要
本文意在对古代题画诗进行较为全面而系统的研究从诗学与美
学的不同视角多层面地对题画诗这种独特诗歌形式进行分析论述
它作为诗之一种和画之一体所表现出的艺术特性与思想文化内涵
全文分为五个部分第一章对题画诗的范畴进行了界定指出了
从内容入手才能把握住题画诗的范畴并对题画诗的常见体裁和形式
作了概括第二章对题画诗的起源进行了考证认为庾信的咏画屏
风组诗是最早的题画诗梳理了题画诗的历史发展脉络第三章通
过归纳题画诗常见的几种思想主题阐明了这些思想产生的历史背景
和文化根源区分了题画诗与一般诗歌在内容表达上的不同第四章
列举了题画诗中常见的几种艺术表现手法并分析了这些手法针对画
面所产生的特殊艺术效果第五章论述了诗画的融合是由中国的传统
文化思想所决定通过对文人画这种诗画结合的完美形式进行探讨
发掘出题画诗所蕴涵的美学价值并总结了题画诗对传统诗画创作
的积极意义
关键词题画诗范畴源流思想内容艺术手法美学意义
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ABSTRACT
There has been a systematic research on Chinese ancient poems marked with
paintings in this thesis. From some different views of poetics and esthetics, a
multi-layer analysis has been given on this special type of poem in which there has
been some discussions on its artistic characters and idealistic culture meaning as a sort
of poems and a type of painting.
This thesis consists of five parts. A definition of category on poem inscribed on
painting has been given in the first chapter where an idea ‘its category can’t be
grasped other than considered from its content’ has been described and some familiar
types of literature of poems inscribed on paintings have been gathered up. In the
second chapter, a textural research about its origin has been held on. And the group
poems ‘Screen for Praising Paintings’ written by Yu Xin can be considered as the
most ancient poems inscribed on painting. Its development history has been looked
back. Based on conclusion about several pieces of familiar topics, the historical
background and cultural origin where they were created have been clarified and a
difference in the facet of description between poems inscribed on the paintings and
the general poem has been given in the third chapter. In the next part, some artistic
representing methods often used have been listed and their special artistic effect on
the paintings has been analyzed. The idea of ‘the Chinese traditional culture leaded to
amalgamation of poems and paintings‘ has been put forward in t