文档介绍：天津美术学院
硕士学位论文
对中国绘画色彩问题的认识与思考
姓名:孙文龙
申请学位级别:硕士
专业:美术学
指导教师:贾广健
20080401
内容摘要:
审美样式及绘画语言的转换,也许是世界范围内的近代绘画史上的一个重要内容,在西
方画坛,它由印象派的确立而完成,在东方的日本,其近代绘画史也是一部色彩的日本画逐
渐替代水墨画而成为主流绘画的历史,然而,这样的转换,在中国画坛却处在一个艰难的历
程中。
中国绘画艺术渊源流长,历史悠久。在长期的发展过程中形成了多样的绘画色彩体系,
本文第一章把这个问题提出来,是想让大家了解一下中国绘画色彩体系的概况,以便从许多
人认为的“中国画色彩单一、贫乏”的概念中走出来,从而,从新认识中国画的传统色彩观
念,并从历史的角度再审视一下中国的水墨画艺术,以便更好地认清长久以来中国画色彩所
处的困境。这是第二章所要阐述的内容。第三章本文粗浅地谈及了怎样才能更理智地去思考
并接受新的审美样式和绘画语言,以便更好地发展中国画艺术,这也是本文的目的所在。

关键词:中国绘画;色彩问题;认识;思考
The understanding and ponder to Chinese drawing question
Wenlong Sun(Fine arts study)
Directed by Guangjian Jia
Abstract:
Perhaps the esthetic style and the drawing language transformation, is in a
worldwide scale modern drawing history important content, in the Western painting
world, pletes by the impressionist school establishment, in East's Japan, its
modern drawing history also is a colorful Japanese picture substitutes the ink and
wash painting to e the mainstream drawing gradually the history, however, such
transformation, occupies actually in the Chinese painting world in a difficult
course.
The Chinese drawing art deep pool far class is long, the history is glorious。
Formed the diverse drawing color system in the long-term developing process, the
this article first chapter has raised this question, was wants to let everybody
understand the Chinese drawing color system the summary, in order to thought from
many people the traditional Chinese painting color was unitary, in the deficient
concept walked, thus, anew knew the traditional Chinese painting the traditional
color idea, and carefully examined China's ink and wash painting art again from the
historical angle, in order to since clearly recognized well the long-time
traditional Chinese painting color has located difficult position. This is a content
which the second chapter of institute must third chapter how thi