文档介绍：南京航空航天大学
硕士学位论文
清代文人花鸟画研究
姓名:倪勇
申请学位级别:硕士
专业:美术学
指导教师:郑旗
20090201
南京航空航天大学硕士学位论文
摘要
本文通过收集、整理关于清代文人花鸟画的相关画史、画论、画法、画理运用中国美术史
论及中国绘画本体学、美学等原理来揭示其发展背景、题材特点、技法特点、意境追求、形态
体系,并理顺其在中国绘画史中的承前启后、继往开来的关系,摆正其在中国绘画史中的地位。
研究表明:清代处于一个特殊的历史时期,清文人花鸟画在发展的过程中有着多种合力的作用
才使得其蓬勃向上。从花鸟画自身的发展来看,清代文人花鸟画处于大发展的重要阶段。清代
文人花鸟画在题材上直抒胸臆,求新追异;在笔墨上笔情墨趣,大胆创新;在色彩上突破常规,
大俗大雅;在造型上随意自由,极度夸张。清代文人花鸟画本体语言继往开来,既大大增强本
体语汇,又为清代文人花鸟画自身发展的新境界提供了必要条件。在意境追求上,清代文人花
鸟画秉承了传统文人的诗情画意,又开拓了不拘一格的狂怪之美与大俗大雅的雅俗共赏之美。
在绘画风格上,清代文人花鸟画承前启后,开创了花鸟画大写意、没骨、工笔、小写意的新局
面。清代文人花鸟画研究的深入将对花鸟画艺术乃至中国绘画艺术有着十分重要的作用与积极
的意义。

关键词:笔墨,章法,造型,意境,雅俗共赏

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清代文人花鸟画研究
Abstract
The essay collected and sorted out about the history, theory, and technique of flower- bird literati
paintings of Qing Dynasty. It Used Chinese fine arts historical treatise and principle to reveal the
development background, characteristics, artistic techniques, and forms of flower-bird literati
paintings of Qing Dynasty, The essay straightened out the status of literati paintings of Qing Dynasty
that link between past and future, and squared it in the Chinese drawing history status. Author’s
research showed that Qing Dynasty located in a special historical period, the role of flower- bird
literati paintings of Qing Dynasty had a wide range of force that made its vigorous. From the point of
the development of flower- bird paintings itself, the literati paintings in Qing Dynasty is an important
stage of development. It expressed the feelings straight in the theme, and pursued bright newly. It
showed bold innovation in sentiment of brush and ink. It beaked through the convention in color,
pursed large custom Taiga. It showed freely and extremely exaggeration in styling. The flower-bird
literati paintings of Qing Dynasty carry forward the cause and forge ahead into the future,it both
strengthened the main body vocabulary greatly, and had provided the essential condi