文档介绍：南京艺术学院
硕士学位论文
论当代工笔花鸟画的艺术创作风格趋向
姓名:杨晓奇
申请学位级别:硕士
专业:美术学
指导教师:江宏伟
20090415
内容摘要:
本文从当下中国工笔花鸟画创作状况入手,分析工笔花鸟画在当代社会下的
面貌与风格。文章认为,当代工笔花鸟画在外在形式上呈现出“陌生化”的趋向,
在内容意义上呈现出“观念性”的趋势。
当代工笔花鸟画的“陌生化”面貌主要体现在题材内容、画面图式和艺术语
言三方面。在题材内容上,工笔花鸟画摆脱了传统花鸟题材的局限,大胆地将一
些形态单纯、样式另类的热带或亚热带雨林植物,以及一些人们所熟悉的日常生
活场景纳入画面;在画面图式上,花鸟画在布局上追求高度繁密,在笔墨上追求
工笔重彩,甚至喜欢将物象进行出其不意地编排和组合,追求一种超验的意
象构成;在艺术语言上,当代工笔花鸟画努力打造语言符号的个性化,夸张变
形、非指称性艺术语言、超常性艺术语言都被运用到花鸟画创作中。
在内容意义上,当代工笔花鸟画背后的观念也发生了变化。其原来的伦理意
义变成了对自然本真的赞颂,传统的文化隐喻性质则逐渐变为对生活本身的关
照,花鸟创作不再从概念出发,开始参与社会,并有了许多形式构成与观念意识
的参与。
关键词:当代工笔花鸟画陌生化观念性
I
Abstract:
This article enter from the current situation of the Chinese painting of the flower and bird ,
analysis it’s appearance and style in contemporary society .the article hold that the current Chinese
painting of the flower and bird emerge a “stranger” tendency in it’s external form and a "concept
trend in it’s content meaning.
The “stranger” face of the Chinese painting of the flower and bird mainly embodied in
three areas: subject matter content, the screen map and artistic language. In the subject matter
content, the Chinese painting of the flower and bird get rid of the traditional limitations of subject
matter, enroll some form of bold simple alternative style of tropical or sub-tropical rain forest
plants, as well as some familiar scenes of everyday life into the picture; In the screen map,it
pursuit a high degree of heavy in the layout ,fine brushwork in the pursuit of re-ink color, and
even for images like the arrangement bination of surprise, the pursuit of a transcendent
position; Language in art, contemporary fine brushwork to create linguistic symbols
bird's personality, and exaggerated deformation, non-referential language of art, extraordinary
language of art has been applied to bird creations.
Significance in the content, the contemporary concept of fine brushwork behi