文档介绍：南京艺术学院
硕士学位论文
调适与会通--明末清初吴历与西学东渐
姓名:吴东
申请学位级别:硕士
专业:美术学
指导教师:顾丞峰
2011-05-25
摘要
摘要:本文以清六家之——吴历为研究对象,将吴历的艺术放在明清易代与中西交
流这两个特定的历史时空和社会洪流中去考察。对吴历及其作品意义和价值的判断
立足于其作品的表现是否与其自身的生存环境、成长经验和个人的或集体的记忆有一
个较为直接的联系;同时,这种联系是否与当时的文化情境或文化生态有一个所谓艺术
转化的对应点以及由此反映出艺术家对现实的态度或立场。本文的价值判断就是以此为
标准,通过具体分析吴历的相关作品,包括吴历在创作中题材的选择,文化资源的利用,
媒介和话语方式等细节内容来考察其在特定的历史情景下如何通过“调适”达到“会通”
中西绘画,从而建构了一种独特的绘画图式。
当然吴历价值并不仅仅在于其独树一帜的绘画图式,还在于其通过自身的绘画实践
反映了社会个体对当时社会现实的积极参与意识,这也是本文重点所在。另外,本文论
述了吴历及其作品在不同历史时期作者、作品、读者之间的动态交往过程,分析这一
接受和被接受过程背后隐藏的社会历史原因和个人审美之间的互动关系。
关键词:吴历;明末清初;中西会通;天主教;绘画图示
I
南京艺术学院硕士学位论文
Abstract
This thesis takes Wu Li, one of the six famous artists in the Qing Dynasty, as the object of
study, and put his art in the historical time and social tide of the conjunction of Ming and
Qing Dynasties as well as munication between China and the West to research. The
judgment on Wu Li and the significance and value of his works is based on if his works had a
direct relationship with his living environment, growing experience, his personal memory and
collective memory; and, if such relationship has a corresponding point of the so-called art
transformation with the cultural context or ecology at his time, as well as the artist’s attitude
or standpoint to the reality it reflected. The judgment of this thesis just takes this as the
standard. Through analyzing Wu Li’s works, including details such as his selection on
painting subject, his use of cultural resources, his choice of media and talking methods, this
thesis investigates how did he achieve ‘mastering’ the Chinese and Western painting through
‘integrating’ so as constructing his unique painting pattern in such special historical context.
Of course, Wu Li’s value was not just in his unique painting pattern, but also that his painting
practice reflected he, as a social individual, had a sense of actively participating the social
reality at his time, which is where the