文档介绍：天津音乐学院
硕士学位论文
祖宾斯基巴扬手风琴作品《爵士帕蒂塔》研究
姓名:李鑫
申请学位级别:硕士
专业:音乐学
指导教师:王树生
20081210
摘要
摘要
手风琴进入中国有近百年历史。在这个发展过程中,无论从曲目量上还是从
演奏技巧等方面,都有了巨大的进步。祖宾斯基的《爵士帕蒂塔》是一首演奏难
度较大、技术性较强的手风琴作品,国内相关资料较少,多是感性认识,并且目
前国内对祖宾斯基作品的研究不多,可以拟定参考的有山东师范大学李岩的论文
《祖宾斯基两部<帕蒂塔>研究兼谈其演奏技术》;国外大多是对祖宾斯基的艺术
经历、演出安排和室内乐创作与演奏等方面的介绍。
本文从理论的角度进行总结和介绍,具体研究祖宾斯基的作品《爵士帕蒂塔》
的写作背景、结构特点、用巴扬手风琴演奏的方法及演奏需要注意的重点段落,
并对《爵士帕蒂塔》的作品在和声、织体、旋律及爵士乐特征等诸多方面进行了
详细的阐述。文章采用具体分析的方法,对巴扬手风琴作品《爵士帕蒂塔》在演
奏技巧、演奏风格及作品的把握等方面进行分析,为演奏者在演奏此作品从理论
角度提供一些帮助。本文不采用将音乐本体、演奏技巧分开分析的形式,而是将
音乐本体的分析和演奏技巧相结合研究这部作品。
关键词:巴扬手风琴爵士乐音乐学形态分析演奏技巧
I
Abstract
Abstract
There has been nearly 100 years since the accordion into China. In the course
of development, there has been great progress in the volume of music and the
performing skills. Zubinsky’s “ JAZZ PARTITA” is difficult to play and required
more skillful. There is less information about this work, only few focused on the geist
knowledge; there are few studies of “PARTITA” in our country such as Li Yan’s
paper “ Study the Zubinsky’s Two ‘PARTITA’and technology of its performamce”;
There are more introduction about his art experience, arrangement of performance and
chamber music on abroad.
In this paper, the writing background, structure features, playing method by
Bayan accordion and main section of the performance of Zubinsky’s“Jazz PATITA”
were studied in theoretical point of view, and the harmony, teature, melody and other
Jazz’s characteristics of the PARTITA were also studied in details This paper used
specific analysis method to analyze the play skills, play style and art handling of the
“PARTITA” in order to give some theoretical guidance. The bulk of music and
playing skills of the accordion work were analyzed together rather than individuals.
Key Words: Bayan accordion, “PARTITA”, Jazz music, playing skills
II
第一章相关历史背景的介绍
第一章相关历史背景的介绍
第一节弗拉基米尔·祖宾斯基的介绍
弗拉基米尔·祖宾斯基(Vladimir Zubitsky)于 1953 年出生于乌克兰的格
罗斯科克·尼克拉夫(Golosko