文档介绍：西北师范大学
硕士学位论文
水帘洞石窟群的艺术特点和文化内涵
姓名:宋元
申请学位级别:硕士
专业:美术学
指导教师:陈永祥
2009-06
摘要
石窟艺术是佛教文化与中国文化结合的产物。佛教传入中国之后,经历了一
个与中国传统文化相融合的过程,佛教是一种信仰,也是具有一定内容的文化现
象,是我国传统文化中的一个重要组成部分,佛教带来了石窟艺术,石窟艺术又
表现了佛教文化,石窟艺术极大影响了广大群众的审美心理,构成了中国传统的
审美趣味和审美理想的一个部分。水帘洞石窟群地处黄河支流渭河上游的北岸,
是丝绸之路和唐蕃古道上一处十分重要的佛教艺术圣地。水帘洞石窟群是将浮
雕、窟龛、悬塑、壁画相结合, 融历代佛教思想和艺术于一体的一处露天石窟寺
群, 在全载武山宗教历史的重要见证,也
是传承武山及秦州大地传统文化的重要载体,其价值不言而喻。
在前辈们的研究基础上,本文借助实地调查法、文献资料法等研究方法,从
历史和文化的角度,深入研究了水帘洞石窟群的艺术特点和文化内涵。水帘洞石
窟壁画艺术特点主要表现在:技法的多样性、内容的丰富性、布局的统一性等。
雕塑艺术的特点主要表现在:具有秀骨清风的西魏佛像雕塑艺术特色又有圆润、
丰满、秀美的北魏雕刻艺术特色,还有宋代以来清秀雍容的新的艺术风格。水帘
洞石窟群的文化内涵主要表现在:
1. 水帘洞石窟群是儒、释、道三教相结合的产物。
2. 水帘洞石窟群是农耕文化与游牧文化相结合的产物。
关键词: 水帘洞石窟艺术特点文化内涵
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Abstract
Buddhist grotto art is bination of culture and a product of
Chinese culture. Buddhism into China, has gone through a traditional
Chinese culture and the process of integration, Buddhism is a belief, but
also the content of a certain cultural phenomenon, is China's traditional
culture, an ponent of a Buddhist grotto art , grotto art and
the performance of the Buddhist culture, grotto art greatly influenced
the aesthetic psychology of the masses constitute the traditional Chinese
aesthetic and aesthetic ideals of a part Grottoes is
located in the upper reaches of the Yellow River tributary of the north
of Weihe River is Silk Road on the Silk Road and a very important sacred
Buddhist art. Grottoes is shuiliangdong relief, Shrines, hanging plastic,
bine Buddhism into history and art in one of a group of open-air
grotto temple, grotto art in the country is extremely precious treasure.
It is recorded in Wushan an important witness to the history of religion,
but also heritage and Qinzhou Wushan earth an important carrier of
traditional culture, the value of self-evident.
Research in the predecessors, based on field surveys of this article
with law,literature and other research history