文档介绍：天津音乐学院
硕士学位论文
普列文《小提琴协奏曲》作品的研究以及演奏技术的分析
姓名:蒋雯雯
申请学位级别:硕士
专业:音乐学
指导教师:张蓓茘;刘自力
20071210
中文摘要
本论题涉及音乐作曲理论以及音乐表演理论两方面,是一篇关于音乐作品
推荐及作品和演奏分析的应用理论研究论文。
本篇论文研究的内容重点是分析普列文小提琴协奏曲的结构曲式,以及分
析穆特在演奏中对音乐的处理和技法的使用,以理论结合实践的方式对音乐的
风格进行把握。论文中还将对穆特与普列文的一系列创作合作进行探索,以此
来研究作曲家与演奏家之间相辅相成的创作关系。
论文基本内容包括:,与穆特在音乐上的合作,以及协
奏曲的创作背景。。
其演奏中运用技法的分析。
奏曲的特色,以及各自艺术上的突破。写作方式将采用总论、分论、总结的方
式。首先总体介绍创作背景,然后在此基础上分别对作品的曲式和演奏进行分
析,最后在分析的基础上对作品的特色及带来的影响做出评述。
近年来我国专业音乐学院在培养学生掌握古典音乐演奏风格技法的同时,
也不断地加强了对演奏现代作品的重视。所以对这样一部 21 世纪新作的推广和
研究将有着很高的理论及现实意义。

关键词:安德列·普列文穆特小提琴协奏曲

III
Abstract
This thesis is mendation and application analysis on great music works and
their performances, which is related to the theories of posing and
performing. It is focused on the formal structure of Previn violin concerto, and how
Mutter was using performing skills and managing the difficult points to achieve
essful mastery and present of the great music styles with bination of
theories and practices. It also discusses the creation relationship posers
and performers, by studying the forms of Mutter and Previn’s cooperation. The main
contents are the followings: 1. Previn’s creating styles, Mutter’s collaboration with
him on music, and the backgrounds of his concertos. 2. The formal structures of his
works. 3. Mutter’s understanding and managing of music styles, and her performing
skills. 4. The characteristics of the concertos created by both Previn and Mutter, and
the breakthrough both of them achieved by collaboration. The writing methods will
include general introductions, separate discussions and summaries. Firstly it will
introduce the general backgrounds of music creation, then to separately analyze the
formal structures and performances of the works based on the backgrounds, and at the
end, to summarize the characteristics of the works and their influences. In recent
years, the conservatorie