文档介绍：天津音乐学院
硕士学位论文
地域差别在音乐语言中的表达及在二胡演奏中的艺术再现
姓名:邱波
申请学位级别:硕士
专业:音乐学
指导教师:林聪
20081210
中文摘要
二胡,这个中国民族乐器中具有代表性的乐器在新中国成立后得到了大力的
发展。不断涌现出一批有一批的优秀作品,其中大部分是地域性风格比较强的作
品。不同地域性风格的音乐作品使用着既有着相同特性的音乐语言,同时又使用
这很大不同性格的地方性音乐语言,怎样理解这样的相同又不同的音乐语言成了
目前二胡演奏者的重要任务。
地域性音乐风格是和地理环境、人文背景有着密切联系的,想要处理好这些
音乐风格就必须对这些外部条件有着深切的认识。
“音乐无国界”,因为全世界在表达各种情感时在音乐语言上的使用上基本相
同。目前我国的音乐教育模式“分工”过于细化,致使作曲者与演奏者之间的“联
系”越来越“疏远”。
本文是通过江南音乐风格、陕西音乐风格、河南音乐风格、蒙古音乐风格中
存在的共性与个性的音乐语言进行分析及在演奏中的艺术中的再现。
关键词: 地理环境地域风格音乐语言艺术再现
Abstract
Erhu, the Chinese representative in the national musical instrument of musical
instruments in the founding of New China has been vigorously. There are a number of
emerging out of a group of outstanding works, most of which are strong regional style
of work. Different regional styles of music using the same characteristics of both the
language of music, at the same time, the use of this character very different from the
music of local languages, to understand how such a different music and the same
language has e a player of the erhu is currently an important task .
Music is a style of regional and geographical environment, cultural background is
closely associated, would like to properly handle the relationship between these styles
of music on these external conditions must have a deep understanding.
"Music Without Borders" because the world in a variety of emotional expression
in music when the language used is basically the same. At present, China's music
education model, "division" is too refined, with the result posers and
performers between the "link" more "alienation."
In this paper, through the Jiangnan style of music, music style, Shaanxi, Henan
style of music, Mongolia style of music that exist mon with the character of the
language and music performances in the arts of representation.
Key words: geographical area,style of music,language arts , reproduction
引言
特定的地理环境是人类生存发展的先决条件,也是滋生和形成不同种族、地区文化传统、
文化面貌的重要