文档介绍：绘画的关系,扎根传统绘画哲学观,兼容并包外来的很多绘画技巧, 此时他的绘画风格以探索为主,享有声誉。第四期回归传统,晚年的高剑父很少再提革新国画的口号,而是以“新宋院画”、“新文人画" 取代,同样在作品方面有明显回归传统文人画的倾向。三、高剑父的革新活动:高剑父是最早接受民主革命思想的画家, 他很大程度上将在现实中未能实现的革命热情带到了美术界中,并利用自己的条件把美术革新的思想进行宣传和放大。近现代美术史上以各类西式活动宣传美术理念,高剑父算是最早的一例。高剑父在绘画艺术上的创新和对美术革新理念的推动,将是本文讨论的重点。四、高剑父及岭南画派的地位。首先,高剑父即是岭南画派的开派人,也是岭南派的高峰,他的作品形成了中外兼顾,雅俗共赏的绘画风格,其次,高剑父的美术革新开风气之先,岭南画派在高剑父的带领下,形成了一群持有相同创作理念和美术观点的艺术家群体,在近百年的中国画坛影响深远。关键词:高剑父,美术,革新,技法 ABSTRACT Lingnan School ofpainting inmodem history has anextremely important position in theearlyRepublic ofChina andtheBeijing—Tianjin Painting, Shanghai coexist,a situation thattogether form Jianfu as arepresentative oftheLingnan School painters,not only thefounders of the Lingnan School,but is a leader ininnovative modem and contemporary artpeople. Thispaper summarized thebasis ofprevious results,integrated the USe of literature,theexisting works ofart,art reviews,etc.,by Gao Jianfu painting artand painting activitiesdescribed,Gao Jianfu toexpress the important roleof theLingnan School ofPainting and in theLingnan School ofArtinNew China. This articleisdivided intofour parts:First,background and life experiences Gao Jianfu:Gao Jianfu’Smajor activities across thewhole of theRepublic,the earlystudy inJapan,and participated inthedemocratic revolution ledby Sun Yat— revolutiondedicated 4 topaintingart,paintingpractice,”innovation¨philosophy,not only for theinnovative paintings,but alsoefforts tospread artGexin idea,while training alarge number ofpaintingtalent,laid theLingnan School in an important modem arthistory status. Second,Gao Jianfuuniqueway ofpainting andartisticstyle:Gao Jianfu main fourstages ofpainting,the firstgermination period,Gao Jianfufirst studied under JuLian,Wu Deyi,learning ept traditionalpainting. The second phase ofreform,his schoolinJapan,dedicated topainting the thereformofthe”new painting,"sensation atthetimeof Chinesepainting, thirdphase of acompromise to”oldand new battle