文档介绍：摘要本文立足以所学的学科为基点,以人文艺术学科——景观设计与宗教文化的历史因缘及其演变与发展为视点,且以马来西亚的宗教文化为切入口,对马来西亚传统艺术与马来西亚宗教文化的因缘渊源关系及其发展作一浅显的阐述,从中剖引出马来西亚的传统艺术与现代艺术设计的理念在本质上的关联,并希望通过全篇能较好的显现说明马来西亚具有“多元发展,和谐共存”的人文文化特点的基本所在。在马来西亚,景观设计艺术同样突出地体现了它本国的人文特点:民族艺术设计的作品不是纯粹的从审美动机出发的,在实际应用的过程和目的上往往主要考虑的是设计艺术作品其对宗教精神的起源本质上为动力,审美功能的要求只是在满足次要的欲望而已。景观设计的文化思考在马来西亚的未来发展和定位,同样面对着在世界主要潮流思想大潮冲击下?即已成强权式的西方景观设计理念中寻求新的发展生机。马来西亚的文化理念一贯希望:通过多元的民族文化,在多元共存的条件下获得和谐的发展。各种艺术的表现形式也就在这样的条件下被“遮蔽”和“敞开”的,如同在现代设计中是“分离”也是“结合”。非模式化、非定格化、非唯一化,多元深化,并生共存,和谐发展,大同天下,才是真正积极体现了现代设计向国际化的发展理念,才是真正意义上的世界文化和谐的大同景象。马来西亚便是向着这真正意义上的世界文化和谐的大同景象迈进! 关键词:人文景观;宗教文化;多元发展;和谐共存; Southeast Asia’SLandscape:The cultural aspect ofMalaysia’S landscape Abstract This paper on the basis of thesubjects ofmy majoy,based on theperspective of humanities and liberal arts disciplines—the historical karma,the evolution,and the development of landscape design and religious culture,start with Malaysia’S religious culture,made asimple exposition of the ralationship and itsdevelopment ofthe traditional arts and the origins ofreligious culture ofMalaysia,which fetched out Malaysia’S the essencial association of the idea oftraditional artand modern art hope this paper can be a good description of Malaysia’S”diversified ”idea as a fundation of itshumanistic and cultural characteristics. In Malaysia,the art of landscape design also highlighted the human characteristics:the works of national art design is not just start from aesthetic motives,it often take the driving force from design works of art tothe origin ofthe religion spirit as a main consideration in the process and purpose practical therequirements of aesthetic function isjust tomeet the secondary cultural ponder of landscape design inMalaysia’S future development and positioning,is facing the strong impact ofthe world’S major ideological tide— that a new vital force under the impact ofWestern—style landscape design concept which has e amightness