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复****题
Part I Managing borrowing material
Use these three passages in the exercises that follow.
Passage A
Marndment of 1934 put a stop to the practice.
Source: Morris , Evan. The Word Detective. New York: Plume. 2001. Print. [The passage appears on pages 122-23. The page break is shown by the slash enclosed in brackets.]
Passage C
Q: So, do your political self and your creative self communicate at all?
A: As an artist your first loyalty is to your art. Unless this is the case, you’re going to be a second-rate artist. I don’t mean there’s never any overlap. You learn things in one area and bring them into another area. But giving a speech against racism is not the same as writing a novel. The object is very clear in the fight against racism; you have reasons why you’re opposed to it. But when you’re writing a novel, you don’t want the reader to come out of it voting yes or no to some question. Life is more complicated than that. Reality simply consists of different points of view.
Source: Atwood, Margaret. Interview by Marilyn Snell. Mother Jones July-Aug. 1977. Mar. 2009.
2
Write a single sentence summing up Frere-Jones’s assessment of Blige’s singing. Do not quote anything directly. Be sure to introduce the source.
Write a short paragraph summarizing the origins of the term lame duck (passage B). It should be no more than half the length of the