文档介绍：The Sway Love in War
整理课件
A Love Story
Meet at the Waterloo bridge
Tokens of love on the bridge
Respectively,ftime, and information
.
It is usually used to suggest the passage of time, rather than to create symbolic meaning as it does in Soviet montage theory.
From the 1930s to the 1950s, montage sequences often combined numerous short shots with special optical effects(fades,dissolves, split screens, double and triple exposures) dance and music.
They were usually assembled by someone other than the director or the
editor of the movie.
整理课件
Two common
montage
sequence devices
of the period
a newspaper one
a railroad one
整理课件
In the newspaper one, there are multiple shots of newspapers being
printed (multiple layered shots of papers moving between rollers,
papers coming off the end of the press, a pressman looking at a paper)
and headlines zooming on to the screen telling whatever needs to be told.
There are two montages like this in It Happened One Night.
In a typical railroad montage, the shots include engines racing toward the camera,giant engine wheels moving across the screen, and long trains racing
past the camera as destination signs zoom into the screen....
整理课件
Take
the
script's
one line
description
of the montage
From 1933 to 1942
montages differed from
the usual ones
the best-known montage specialist of the 1930s
整理课件
Film critic Ezra Goodman discusses the contributions of Slavko Vorkapić,
who worked at MGM and was the best-known montage specialist of the 1930s:
“He devised vivid montages for numerous pictures, mainly to get a point across
economically or to bridge a time lapse. In a matter of moments, with images
cascading across the screen, he was able to show Jeanette MacDonald's rise
to fame as an opera star in Maytime (1937), the outbreak of the revolution in
Viva Villa (1934), the famine and exodus in The Good Earth (1937), and the
plague in Romeo and Juliet (1936).”
整理课件
From 1933 to