文档介绍：本科毕业论文(设计)
外文翻译
原文:
Government policy ics
The article discusses the role of government policy in the societal process of producing definitions for ‘art’ and in ing established as an artistic field. The discussion is based on an empirical case which demonstrates plex role of public policy in defining a certain area as one of the arts and as eligible for government support for the arts. The analysis makes use of the concepts of artistic classification systems introduced by Paul DiMaggio and artistic fields by Pierre Bourdieu. It traces the encounters of the Finnish field ics and government policy during a time span from the 1950s to the present day. The case ics shows the development of one area of cultural production from a suspected criminal case to a state supported field of art, and demonstrates the various roles different areas and measures of government policy can take in the development of an emerging artistic field.
Under suspicion
ics first appeared within the realm of government policy, it was not in connection with cultural policy but with legal policy. The issue was not ics could be defined as a form of art, but whether the production and distribution ics should be defined as a crime. In the background of the issue was a campaign ics launched in the USA.
Fredrick Wertham’s book Seduction of the Innocent (1954) became a handbook for the campaign ics, which expan