文档介绍:The third chapter explores the criticism towards Zhang Xian’s Ci. The materials of the Ci criticism, both in the contemporary and later generations, talks about Zhang Xian’s Ci for many times. These materials contribute to give Zhang Xian’s Ci a contributed position in the history of Ci.
The conclusion summarizes views of the paper. This part underscores Zhang Xian’s efforts on inheritance and innovation and makes him the transfer between ancient and modern, so as to establish Zhang Xian’s Ci a contributed position in the history of Song Ci and even in the whole Chinese history of Ci.
Key words: system; style; criticism; the position in the history of Ci
目 录
绪论........................................................................ 1
第一章 张先词的体制探析................................................ 2
一 独具风味的小令词..................................................... 2
(一)抒深情于叙事................................................... 3
(二)咏事物之风韵................................................... 4
(三)主情之相思别离................................................. 5
(四)借民歌之技法................................................... 6
二 新颖别致的慢词....................................................... 7
(一)篇幅短小,韵味无穷............................................. 8
(二)警句凝炼,结语深致............................................ 10
三 丰富多样的题序...................................................... 12
第二章 张先词的风格探析............................................... 14
一 晋宋风流的韵致...................................................... 14
二 趣尚独特的瘦硬体.................................................... 16
第三章 词学批评中的张先词............................................. 18
一 “当代”(此处指宋代)词学批评中的张先词............................. 18
(一)苏轼及其门人——宛转韵高...................................... 18
(二)王灼、胡仔——俊逸精妙........................................ 19
二 后世词学批评中的张先词.............................................. 20
(一)明·王世贞——正宗本色........................................ 20
(二)明·杨慎——清新工致....................................