文档介绍：西北师范大学
硕士学位论文
我国乡土现实主义油画变迁研究
姓名:王志峰
申请学位级别:硕士
专业:美术学
指导教师:岳嵘琪
2009-06
我国乡土现实主义油画变迁研究
摘要
乡土现实主义油画在中国的油画发展史上始终占有重要位置,从油画真正引
入就和我国的文化和国情紧密结合而具有本民族特色,在不同发展时期具有不同
的面貌与特点。历经百年的发展变迁,已从当初的相对单一的不自觉发展模式发
展成为今天全方位自律性多元化自觉发展模式。面对文化艺术多元化发展趋势和
当下全球艺术语境,乡土现实主义油画确实有被冷落和边缘之势而面临巨大的挑
战,对此有人对它的发展前景提出了质疑,甚至有人认为它伴随架上绘画的“过
期”而已走向灭亡的悲观论调。
本文试图从乡土现实主义油画的历史追溯,变迁发展和前景展望三方面进行
全面系统的阐述,以历史背景为主线,重点通过对各个不同时期的代表画家和代
表作品进行个案分析,对其历史发展变迁和自身艺术自律性变迁进行全面的梳理
论证,形成一完整的理论体系,得出其发展的一般性规律,并以此对乡土现实主
义油画的未来发展提出自己的前瞻性看法——乡土现实主义油画不光有辉煌的
历史,在当下社会和文化艺术多元化发展格局下,仍有其辉煌的前景和强劲的生
命力。

关键词:乡土;乡土现实主义油画;变迁;自律性

II
Abstract
The local realism oil painting holds the important position throughout in
China's oil painting history, on has this national characteristic from the oil painting
true introduction with our country's culture and the national condition close union, has
the different appearance and the characteristic in the different development
been through repeatedly hundred year development vicissitudes, from initial relatively
sole has not on own initiative developed the pattern to develop into today
omni-directional automatic rhythmicity multiplication aware development
the cultural art multiplication trend of development and the global art
linguistic environment, the local realism oil painting truly has immediately is treated
coldly and potential of the edge faces the huge challenge, regarding this some people
proposed the question to its prospects for development, even some people thought it
follows the pessimistic view which a on drawing “expired” the trend perishes.
This article attempts from the local realism oil painting historical backward, the
vicissitude development and the prospect forecast three aspects to carry on the
comprehensive system the elaboration, take the historical perspective as the master
line, key through the painter and carries on the case analysis to each different