文档介绍：新疆师范大学
硕士学位论文
河南越调的唱腔艺术研究
姓名:郝爱芳
申请学位级别:硕士
专业:音乐学
指导教师:张力泉
2010-06-01
越调是河南地方三大剧种之一,历史悠久,以唱、念、做、打、舞戏曲程
式为表演形式,以河南方言为剧词基本腔调,能够表现恢弘的场面,也能表现
柔婉的情景,既能塑造英雄、威猛的艺术形象,也能塑造柔情哀怨的艺术形象,
有着独特的表演风格和群众基础,是一个文化资源丰富、学科领域广泛并有着
极高研究价值和保留价值的剧种。本文分四个部分对越调剧种进行了阐述。
第一部分:河南越调的发展历程和文献回顾。发展历程部分从清乾隆时期
开始叙述到 20 世纪八十年代商品经济时代的到来,越调受到巨大冲击,幸亏各
艺术大师的不懈努力,越调又开始发展起来;文献回顾部分从介绍越调源流、
唱腔、生存现状与解决方案三部分进行回顾。
第二部分:河南越调的唱腔艺术特色。此部分介绍了越调的分支、戏词特
点、唱腔、角色行当和剧目特色。越调有上路调和下路调两个分支;戏词运用
河南方言,并以十字句和七字句为主要句式;唱腔上本来是曲牌体,后来又变
为板腔体;越调行当齐全,生、旦、净、丑各具特色;越调剧目部分把越调剧
目分为传统剧目、移植剧目和新创剧目三部分。
第三部分:河南越调的各时代代表人物及其演唱特点。共分早期、六七十
年代、八九十年代三个时期进行阐述。
第四部分:河南越调的现状及思考。这一部分分析了河南越调的现状,分
析了剧本、演员、剧团管理与政府扶植三个方面的原因,并由此反思自己声乐
学习的努力方向。

关键词:河南; 越调; 唱腔; 表演

I
Abstract
The Henan opera yue is the three operas in Henan, one of a long history to sing,
read, do, fight, dance drama program for the performances, Henan dialect word for
the basic tone opera, to the performance of majestic scene, but also soften the
performance scenarios, both shaping the heroes, the mighty art of image, but also the
artistic image of the sad shape the tender, has a unique style of performance and
mass basis, is a rich cultural resources, disciplines, and has a wide range of high
research value and retain value drama. This four part drama on the more stressed
were also discussed.
Part I: Development of Henan more tone and literature review. Development
part of the narrative from the beginning period of Qing Dynasty to the 20th century
eighties era modity economy, the more stressed by the huge impact, thanks to
the tireless efforts of the artist, the more developed tune began; literature review
describes some of the more stressed from the origin , singing, living situation and
solution of three parts reviewed.
Part II: Henan Art features more singing tone. This section describes the more
stressed a branch of the features of word play, singing, and plays the role of li