文档介绍：南京艺术学院
博士学位论文
《华山碑》与清代碑学
姓名:陈大利
申请学位级别:博士
专业:美术学
指导教师:黄惇
2011-05-15
【论文摘要】
论文以《华山碑》为研究个案,围绕《华山碑》在清代书法史上的传播与接受,分析清
代师法汉碑的书学观念及书法实践,梳理《华山碑》在清代碑学发展中的重要影响,进而更
加清晰地了解清代碑学发展的轨迹。
论文首先分析清代之前对于《华山碑》的关注。指出:唐人因迷信蔡邕为“笔法之祖”
而指认《华山碑》为蔡邕所书,却难寻实据;宋代金石学家对《华山碑》多有争论,注重文
史考证;明人对汉碑中的笔法因蒙昧而多生误解,直至明末,始有汉隶笔法的觉醒。接着探
讨《华山碑》在清初书坛产生的影响,以王弘撰对于《华山碑》的收藏及朱彝尊关于《华山
碑》的品评为线索,解读《华山碑》在南北区域的扩大影响,以及清初书坛师法汉隶的普遍
风气。然后再以金农和陆瓒为取法《华山碑》的案例,剖析《华山碑》笔法被接受的两种模
式,凸显清代中期在师碑观念、创作实践上的重大突破。论文最后追踪《华山碑》在乾嘉以
后的递藏、复制、考证、取法,观照其在碑学浪潮中的广泛接受与传播。
论文主要观点:《华山碑》经著名文人、学者、书家共同推动,在有清一代最终成为法
书体系中的新经典;通过探讨《华山碑》的接受与传播过程,可以洞悉书法取径“非名家碑
刻”的碑学观念,在清代如何逐渐深入人心的,这在书法史上的意义至为重大。
【关键词】
华山碑碑学经典化接受传播
I
Abstract
This thesis aims to study the case of the stele of mount Hua(华山碑). Based on the
propagation and reception of the Stele of mount Hua in the calligraphy history of the Qing dynasty,
the thesis analyses the calligraphy concepts and calligraphy practice that the Qing calligraphers
imitated the stele in Han dynasty and discusses the logical relationship existed between the stele of
mount Hua and the inscription in the Qing dynasty, thus more clearly finding out about the
historical developing track of the Qing dynasty inscription.
The main body of the thesis explores the problems from the following four parts. It firstly
expounds people’s attention to the Stele of mount Hua before the Qing dynasty, which points out
that owning to the blind worship that Cai Yong is the father of calligraphy, people in the Tang
dynasty identified the stele of mount Hua had been written by Cai Yong(蔡邕), but they couldn’t
find the authentic evidence. Inscriptions experts in Song dynasty emphasized historical textual
research because of their controversy over the stele of mount Hua. Due to the obscuration of the
writing technique in the tablets of Han dynasty, people in the Ming dynasty misunderstood more
about it. The Han Li brushwork wasn’t arous