文档介绍：南京艺术学院
硕士学位论文
中国传统绘画文质论研究
姓名:张颢璇
申请学位级别:硕士
专业:美术学
指导教师:尚可
2010-12-28
中文摘要:“文质”作为美学概念起初多被广泛运用于文学理论中,并逐渐
发展成为中国古典文艺学里一对重要美学范畴。中国传统绘画理论对“文
质”问题的探讨源于六朝时期,其基本精神不但与文论中的文质观念一脉
相承,而且也与其它传统画学理念有着密切的联系。本文旨在对中国传统
绘画文质理论做系统且全面的研究,通过阐释“文”与“质”在中国画论
中的基本内涵,来论述画论文质观形成的思想渊源,进而理清绘画文质观
发展的脉络。并在分析“文”与“质”在中国画创作中所体现的辩证关系
之基础上,阐述“文质”与中国画时代风格之间的关联,以此探讨文质观
对绘画创作的影响。毋庸置疑,研究中国传统绘画美学中的文质理论,将
有利于更好地把握中国画艺术表现中的形式、技巧与思想内涵的关系,从
而促动中国画理论与创作实践的发展。

关键词:中国画论、文质、绘画风格、表现形式、思想内涵

I
Abstract:
“Wen and Zhi”is a classic Chinese literature and art in a pair of important aesthetic
category. It was initially and widely used in literary theory. The viewpoint of Wen and Zhi
had Been formally introduced into the theory of the Traditional Chinese Painting from the
Six Dynasties period, its basic idea is not only with the same strain of the Chinese Classical
Literary Theory,but also closely related to the philosophy of the Chinese article
first explained the mealing of Wen and Zhi in the Traditional Chinese Painting theory,and
expounded its Ideological Originsthenm, and then Clarified the context of the development of them. At
the same time,revealed the dialectic unity of Wen and Zhi in the creative process of the
Traditional Chinese Painting,and illustrated the connection of the time Style of the Traditional
Chinese Painting works,as discussed the influence of this theroy on
,research into the concept on Wen and Zhi will be beneficial to
conducting the relationship of The Manifestation to The Connotation,consequently facilitating
development of the theory of Traditional Chinese Painting and the creative practice.

Key words:
The theory of the Traditional Chinese Painting
The conception of Wen and Zhi
The style of Traditional Chinese Paiting
The Manifestations
The Connotation

II
绪论
绪论
“文质”乃中国古典文艺学的基本术语。孔子在论君子个人修养时曾言:“质胜文则野,文胜
质则史,文质彬彬,然后君子。”[1]其意是指一个人既要注重外在的礼仪规范又要重