文档介绍：摘要:科诨,又称插科打诨,是中国戏曲中使用、制造滑稽效果的一种表现手法。“它来自以滑稽、戏谑为主的宋杂剧,但在戏曲中只作喜剧性的穿插。”在元杂剧这种成熟的戏曲形态中,自然会对这一“喜剧性的穿插”有所继承和发展,甚至可以说它是对公元前五六世纪以来的俳优活动、六朝汉魏以来的角抵戏、歌舞戏和参军戏、民间表演艺术中滑稽传统的吸收和提炼。科诨的真正目的在于通过滑稽传统使人发笑,满足精神上的愉悦和快感。但又不仅仅局限于此,它对戏剧的表演体制、形象刻划、剧场调度同样有着重要的意义。
 
关键词:科诨;元杂剧;作用;功能
Abstract: Kehun, also known as fueled, is used in Chinese opera, creating ical effect performance practices. "It's ridiculous e from, consisting mainly of Xixue Song Drama, but only for the opera's interludes edy." Yuan Dynasty in such a mature opera Morphology, naturally have the "comedy of the interludes of" Inheritance and development, or even that it is May 6th century BC, the haiku gifted, since the Han Dynasties Kok arrived in theater, dance and drama to join the military drama, folk performing arts in ic tradition and the absorption process. Hun by the real purpose is to laugh through the farcical tradition of people to meet the spirit of joy and pleasure. But not limited to this, it shows the dramatic structure, the image characterizations, the theater scheduling the same is of important significance.
Key words: Kehun;Yuan Zaju;the role and function 
 
科诨,又称插科打诨,是中国戏曲中使用、教育教学论文稽效果的一种表现手法。“它来自以滑稽、戏谑为主的宋杂剧,但在戏曲中只作喜剧性的穿插。”[1]在元杂剧这种成熟的戏曲形态中,自然会对这一“喜剧性的穿插”有所继承和发展,甚至可以说它是对公元前五六世纪以来的俳优活动、六朝汉魏以来的角抵戏、歌舞戏和参军戏、民间表演艺术中滑稽传统的吸收和提炼。科诨的真正目的在于通过滑稽传统使人发笑,满足精神上的愉悦和快感。但又不仅仅局限于此,它对戏剧的表演体制、形象刻划、剧场调度同样有着重要的意义。 
在这里,“科”指滑稽动作,与一般剧