文档介绍：中南民族大学
硕士学位论文
《聊斋志异》文学形象的影视传播变异
姓名:徐彩军
申请学位级别:硕士
专业:中国古代文学
指导教师:罗漫
2011-05
中南民族大学硕士学位论文

摘要
《聊斋志异》(以下简称《聊斋》)是我国古典文言小说的巅峰之作,因其故
事情节曲折离奇而备受影视界关注,自 1926 年至今,《聊斋》很多故事已得到影
视传播,并且有些故事已经家喻户晓,甚至成为人们茶余饭后的谈资。在此,笔
者试图研究《聊斋》文学形象的影视传播变异,拟从五个部分进行研究。
第一部分,主要探讨《聊斋》文学形象与影视传播的关系,重点分析分析《聊
斋》得以传播的原因;并对《聊斋》进行相关文献综述:以前的研究主要集中在
文学性艺术性的文本研究,笔者试图以新的视角来研究《聊斋》。
第二部分,细述《聊斋》的影视传播历史,主要探讨 80 年代以前、80 年代、
90 年代及 2000 年以来的传播特点和成因,在探讨中揭示文学形象在各个时代的变
异特点。
第三部分,立足《聊斋》文学形象的影视传播现状,在文学形象古今变异的
成功与失败中,探讨《聊斋》的成功变异,并进行个案分析,如《画皮》等。
第四部分,提出《聊斋》影视传播中存在的问题,主要从思想、艺术、语言
方面分析。
第五部分,对《聊斋》文学形象的影视传播大胆构想和展望:文学形象广且
深;影视传播后现代化;志怪与魔幻共搭舞台。
关键词:聊斋志异;影视传播;文学形象;变异
I
《聊斋志异》文学形象的影视传播变异

Abstract
"Strange"(hereinafter referred to as "Ghost Story") is China's classic novel of the
pinnacle of classical, because of its unique ideological and artistic, film and television
transmission may be inevitable, since 1926, "Ghost Story"Many stories are film
adaptation, And some stories have been widely known, and even e the talk of
gossip. The "Ghost Story"literary image of the video transmission variation worthy of
our attention. This paper from the five parts to study it.
The first part, first, "Ghost Story"and a brief overview of Pu to form around the
works and authors impression; the literary image and video transmission together about
the main analysis of "Ghost Story"has been the spread of reason; of "Ghost Story" for
Literature Review: Previous research focused on the text of literary art, the author
attempts to study a new perspective "Ghost Story. "
The second part, from "Ghost Story" began to talk in the history of film and
television transmission, the main study 80 years ago, 80's, 90's and since 2000, the
spread of the characteristics and causes, was found in the literature of image variation in
the characteristics of each era.
The third part, based on "Ghost Story" Communication in the literary image of the
film, from the literary image of the a