文档介绍：扬州大学硕士学位论文灿stract燃掣烨 Thispaper is asubject study,that is,the research onthepainting theme ofcrucifix Since the advent oftheBible, many storieshave been attractedgenerations ofartists,and when thepainters indifferent times paint biblicalstories,they always dope into agreat deal of self- oftenreflectsthe scenes oflifeand views on things ofthepeople in of theartists,seemingly,they paint thebiblestory,but their realpurpose just reflecttheir own emotion and attitudeby virtue ofthestory or characters intheBible. Through thesegood works,from anotherangle,we see part ofthehistory ofthedevelopment of human society, andwhich is avisualhistory. Crucifix, as one ofthereligioussubjects which are so attractive toartists’brush,always around anumber ofWestern artists,including many ancientand modern great these works,we can notonly see image expression of thistheme indifferentperiod,and Can see all kinds ofevolutions ofrelevant symbol that,the core of”cross”this incident ..the salvation which the son ofgod suffered fortheredemption oftheworld—the theological signifieanee,has aprofound influence on thetraditional ofwestern reproducibility painting, which makes thedeepreligious aestheticsignificance of thispainting traditional-the secular presentation,has beenfullyexplained. Itseems thatatthebeginning oftheChristian,they wish toavoidtheimage of”Jesus onthe Cross¨,The earliestknown images appear inthe 5thcentury,like theWood door reliefin Roman (about 430years),since then,the whole Christian world has always given thistheme great articlewillanalyze thecauses ofsecularizationand its far-reachingimplications by theimage featureswhich crucifixfromvariousperiodspresented. Traced back,the spirit which Jesus dedicated himself forthe ideal inspired further exploration ofhuman civilizationand itisalsothe realdriving forceof socialdevelopment. Keywords:Crucifix Religious Art Iconology Secularizati