文档介绍：1 《间谍之桥》:站立的人有人说电影之所以具有独特的艺术魅力,在于其可使观众“在有限的时间, 体味不同的人生”。在诸多类型片中, 科幻或幻想片往往出“奇”制胜, 通过带领观众畅游幻境, 使其暂时摆脱现实俗扰; 剧情和伦理片旨在“深”入人心, 纵深挖掘并加工现实的悲喜离合, 激发观众的理性共鸣和感情宣泄;而还有一类影片――历史传记片则选择弃伪从“真”,在平行于历史的空间中,建构观众对当前世界的感知与反思。谈到深谙“从真”之道,就不得不提大名鼎鼎的史蒂文? 斯皮尔伯格( Steven Spielberg ) 。从民族挣扎和个人博弈壮烈交融的《辛德勒的名单》( Schindler ’s List ) ,到人性光芒与民主光辉交相呼应的《林肯》( Lincoln ), 斯皮尔伯格始终善于依托历史维度, 将浸没于历史尘埃中的人物竖立成一个个“站立的人”( standing man ) 。而演绎法理精神与民族情感冲突的《间谍之桥》( Bridge of Spies )成功沿袭了这一“传统”, 塑造了一个手持理性之剑、捍卫人性与法律尊严的美国律师―― James B. Donovan 。卷入冷战情报风暴中心情报活动自战争诞生之日起便成为其不可分割的组成部分。 20世纪 60 年代, 美国与苏联正在进行一场没有硝烟的战争, 双方在隐形战场上的对弈一刻也没有停止。在纽约布鲁克林的一所旧公寓里,一位长相平庸、略显倦态的中年男子 Rudolf Abel 正安然创作着一幅自画像,不过隐匿在 2 这副泰然并伴有些许凝重面相背后的, 却是其另一个不为人知的身份――苏联间谍。当其身份暴露、遭到逮捕的那一刻, 这位训练有素的情报员依旧表现得泰然自若。为维护审判的合理性和完整性、“彰显”美国法治精神对人权的尊重,美国政府决定选派保险律师 Donovan 担任 Abel 的辩护律师, Donovan 也就此被迫卷入了冷战情报风暴的中心。角色、职业、情感三层认同然而这场原本毫无悬念的审判却因 Donovan 的加入出现了曲折。视法治精神为指引、法律程序为准绳的 Donova n 似有些偏执地承担着来自法庭、民众甚至是家人的不解,甘愿背负“叛国”之骂名,认真扮演起 Abel 辩护律师的角色。初次与 Abel 面谈不仅让他开始真正进入角色,更使其在多个层面与这个相对而坐且其貌不扬的敌国间谍产生了认同。 Donovan : Were you beaten ? Abel : No. I was talke d to. Offers were made. Donovan : What do you mean ? Abel : Offers of employment , to work for your government. I was told ifI cooperated , no further charges would be made against me. And I would be given money. Donovan : Hmm. And you declined ? Abel : As you see. Donovan : Well , of course I can ’t endorse (赞同) that. I feel duty-bound to urge you to cooperate with the . government. Abel : Well ,I said no. Perhaps you could relay to your friends 3 at the CIA that I meant it. Donovan : NO, no, no. I ... I don ’t work for the agency. I don ’t work for the government. I am here to offer my services as your legal counsel. If you accept them as such ,I work for you. Abel : IfI accept you ? Are you good at what you do? Donovan : Yeah. Yeah ,I’m pretty good. … If you are firm in your resolve not to cooperate with the . government … then do not talk to anybody else about your case , inside of government or not. Except to me, to the extent