文档介绍：南京艺术学院
硕士学位论文
书法传统与当代书法创作
姓名:徐燕
申请学位级别:硕士
专业:美术学(书法)
指导教师:徐利明
20090413
内容摘要

本文通过对“书法传统”作清晰地分析、研究和梳理,以指导我们在书法
临摹与创作过程中正确地理解和运用书法传统。这篇文章将以形而下的技(笔法
即执笔和运笔)去表现形而上的道(阴阳,这里指书法传统或书法精神)做为切
入点,去阐述中国书法传统。通过对不同名词加以分析、解释,使我们清醒地认
识到应该掌握什么样的、哪一时间段的书法传统,本文认为应在成熟的传统书法
(经典作品)中去体现,如魏晋时期。代表书家钟繇、王羲之及其作品(如《荐
季直表》、《兰亭序》)。从而明确临摹与创作的目标。那就是找出书法经典用笔的
规律,进而从共性的用笔中生发出自己的个性用笔。这就是本课题的目的和意义
所在。

关键词:书法、传统书法、书法传统、当代书法创作

I
Abstract

In order to guide people to apprehend and to apply the traditional calligraphy
correctly to the process of copying and producing calligraphy, this issue made a clear
analysis and research on the “traditional calligraphy”. Taking the performance process
from physical skills (that is the brush-pen holding and the brush-pen running) to Tao
(yin and yang, which refers to calligraphy tradition or spirit of calligraphy) as a start,
the author expatiate a Chinese calligraphy traditional arguments that ingenious skills
can be Tao. Through analysis and explanations of different terms, we known clearly
when and what kind of calligraphy tradition we should acquire. The author holds that
it should be display in mature traditional calligraphy (classical works such as in the
Wei and Jin Dynasties), typical calligraphers such as Zhong Yao and Wang Xizhi
(whose works are “mendation for Ji zhi”(Jian Ji Zhi Biao), “Orchid Pavilion
Preface”, etc. ) , thus defines the end of copy and produce, that is to find the law of
classical skills of calligraphy pen using , then develop a personal pen using skills from
mon pen using skills, which leads to the purpose and significance of this
subject.

Key words: calligraphy traditional calligraphy calligraphy tradition
modern calligraphy creation

II
引言

思想决定行动,不同的思想会有不同的结果,即人的世界观支配着人的行动,
在当代中国引导世界潮流的大好形势下,无论政治、经济或文化可谓空前。正如
胡***总书记所提的“和谐社会”和“科学发展观”。本文认为“和谐社会”表
现为三个方面:一是人与自然的和谐;二是人与社会(人与人)的和谐;三是人
与自己(心