文档介绍：南京航空航天大学
硕士学位论文
陈洪绶木刻人物画研究
姓名:朱文静
申请学位级别:硕士
专业:美术学
指导教师:郑奇
20081201
南京航空航天大学博士学位论文
摘要
明代是我国古代木刻画的繁盛时期,无论数量还是质量都远远超过了前代。明代木刻人物
画的发展,一是离不开刻工们优秀技艺的提高,二是文人画家和剧作家的积极参与,正是有了
他们在思想文化和技法上的改进,才极大地提升了明代木刻人物画的思想性与艺术性。其中,
文人画家陈洪绶对明代木刻人物画的发展产生了深远影响,他用简洁劲健的线条,高古奇骇的
人物造型和不落窠臼的掌法布局给明代木刻画的发展注入了新鲜的元素。
本文旨在通过对陈洪绶木刻人物画特点渊源、演化及影响的探讨,着重从绘画本体要素如:
用笔、造型、章法、题材等方面入手,对陈洪绶木刻人物画作较为全面的审视与品鉴,并把他
的木刻人物画与前代木刻人物画(宋元时期),以及同时代木刻人物画进行比较,提出:陈洪绶
在吸收前人木刻人物画和民间木刻画的基础上,将“以形写神”的文人画思想和诗、书、画、
印结合的文人画章法引入到木刻人物画创作中,他不仅打破了以往木刻人物画程式化的结构,
还使其具有了文人画的气质,而这种新的版画语言赋予了木刻人物画新的内涵。
陈洪绶杰出的木刻人物画不仅在当时就引起世人的关注和称赞,直到今天仍是研究的一个
热点。研究陈洪绶木刻人物画无疑具有一定的意义。同时,这对于今天木刻画和大众文化艺术
的创作也有着启示作用。

关键词:陈洪绶,木刻人物画, 文人画, 六法,本体

i
陈洪绶木刻人物画研究
Abstract
The Ming Dynasty is a thriving period in ancient times of wood-carved figure painting,
Regardless quantity or quality all far surpass the previous development of
wood-carved figure painting in Ming Dynasty can’t get away from a large number of outstanding
engraved works, but participating of scholar painters and writers are also greatly enhanced the
wood-carved figure painting of the artistic and ideological, One of the most the influential scholar
painter is Chen Hongshou.
Chen Hongshou not only made a brilliant achievement in the roller figure painting, his
wood-carved figure painting e to a high peak. The paper gives a brief review on his
wood-carved figure painting, evolution and influence. Focusing on Chinese painting ontology
elements,such as the using of Chinese writing brush, shaping, composition of a picture, It makes a full
scan of Chen Hongshou’s wood-carved figure painting, compared his wood-carved figure painting to
the former block painting(the Song and Yuan Dynasties period) and the same generation block
painting, we points out that Chen Hongshou put the scholar painting thought which is shape
expression content position of scholar painting bine the poem, calligraphy and
painting print into the bloc