文档介绍：天津音乐学院
硕士学位论文
亨德尔清唱剧《弥赛亚》演唱风格研究
姓名:邢爱
申请学位级别:硕士
专业:音乐学
指导教师:王传娟;周小静
20061023
摘要
本文主要通过早期宗教音乐的起源与发展,以及巴洛克时期音乐创作风格等
几方面探讨了怎样准确把握亨德尔清唱剧《弥赛亚》演唱风格的问题,文章中,
我们论述了宗教音乐的起源、早期宗教声乐作品的发展――从圣咏开始一直到歌
剧清唱剧的出现,还比较了亨德尔的歌剧和清唱剧在音乐创作和表演风格上的异
同,并且具体分析了《弥赛亚》中著名咏叹调与合唱选段、包括男高音咏叹调、
女高音咏叹调、和合唱段落,对每首歌曲的曲式风格和演唱风格、方法都加以论
述,从而进一步肯定了《弥赛亚》在演唱艺术上的成就,使读者更直观地掌握了
巴洛克时期宗教音乐,特别是“清唱剧”演唱风格的问题。主要的研究目的也是
通过深入研究和总结《弥赛亚》的演唱风格,把研究成果用于日常演唱与教学之
中,使我们的声乐演唱不仅仅局限于展示美妙声音,而是更加富有内涵,通过演
唱把整个作品的风格淋漓尽致地表现出来。
论文关键词:亨德尔宗教音乐清唱剧弥赛亚演唱风格
2
Abstract
This text mainly passes musical origins and the development of the religion
of earlier period,And “Baroque”period music creations style waited several
aspects to inquiry into how the accurate confidence Handel is pure to sing the
play 《Messiah 》sing on stage the problem of the style。In the article, we
discussed the development ―― of the religious vocal music work of the musical
origins,earlier period of the religion from the “saint chant” beginning until the
opera is pure to sing the emergence of the play, pared the Handel
opera with pure sing the play to create in music with the different and similar
that perform the style,And concretely analyze 《Messiah 》medium the hums
a regret to adjust to choose the segment with the chorus, including the
overture,tenor to hum a regret to adjust,the soprano hums a regret to
adjust,with chorus the paragraph, To the song type style of each song and sing
on stage the style,methodses to all take into the treatise, thus and further
affirm 《Messiah 》Be singing on stage the achievement on the art, make the
reader even keep period and religious music that the view ground controlled
“Baroque”, especially"pure sing the play" sings on stage the problem of the
style. Main research purpose also is pass the thorough research and summary
《Messiah 》of sing on stage the style, used for the research result's usually
singing on stage with teaching, make