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浅析沈周山水画的艺术特征.pdf

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浅析沈周山水画的艺术特征.pdf

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浅析沈周山水画的艺术特征.pdf

文档介绍

文档介绍:湖北美术学院
硕士学位论文
浅析汉传佛教艺术中尊大卑小空间规律
姓名:黄八一
申请学位级别:硕士
专业:美术学
指导教师:徐勇民
20100601
内容提要:
佛教在东汉时期传入中国,带来了以因明论为主的理式思想结构,强烈地重新建构中国
人的思想构架。在战火纷飞、生灵涂炭的魏晋时期,随着佛教思想的流传,佛教艺术得
以广泛流布,上至达官贵人,下至黎民百姓,从内心深处找到了人类心灵本性结构的部
分。在印证这种本性时,建造大量的佛寺、石窟,绘制名目繁多的佛教绘画,如此规模
的宗教狂热,恰恰是人们在追寻皈依感,皈依感的背后是什么?不是迷信,而是动态的

平衡秩序,在视觉形式上反映为“尊大卑小”的多种空间构成,本文将选取典型的佛教
绘画、佛教造像、佛教建筑分析阐述,人们在追求此秩序感时,如何从视觉上运用“尊大
卑小”的空间规律凸显这种秩序感及其原因。
关键词:佛教“尊大卑小”空间规律秩序构成

《绘画与透视》蒲新成著【M】武汉:湖北美术出版社 1991第 110页注:中国传统绘画(特别是人物画)表现
形象大小的标准,却大多不遵照距离远近的原则,而常是服从于画家突出主题的需要。
Abstract
The Buddhism started to spread into China in the Dong-Han dynasty, it brought
because-clearly discussed the principle type of thought structure primarily, constructed
Chinese thought skeleton intensely. In flames of war were flying, the lives were vanishing
Wei-Jin times, with Buddhism thought's spreading, the Buddhism art could widely disseminate
on to the highly placed people, got down to mon people, who had found the human
mind natural disposition structure part from the internal of hearts. When this natural
disposition verified, they constructed the massive Buddhist temples, the rock cave, the many
Buddhism drawing, so the scale religious fervor, exactly which is the people in tracks down is
converted the feeling, what is converted behind the feeling? It is not the superstition, but is the
dynamic balanced order, in the visual formally reflection will be “ Revere greatly inferior is
small” many kinds of spatial constitutions, this article will select the model the Buddhism
drawing, the Buddhism statuary, Buddhism ,to construct the analysis to elaborate, the people
when pursue this order feeling, how to utilize “Revere greatly inferior is small” the spatial rule
to highlight this kind of order feeling visually.
Key words: Buddhism “Reveres greatly inferior is small” Spatial rule Order
Constitution
独创性声明
本人声明所呈交的学位论文是我个人在导师指导下进行的研究工作及取得的研究成
果。尽我所知,除文中已经标明引用的内容外,本论文不包含任何其他个人或集体已
经发表或撰写过的研究成果。对本文的研究做出贡献的个人和集体,均已在文中以明
确方式标