文档介绍：中文摘要 
   
葛优是当今中国影坛兼具市场号召力与艺术地位的优秀演员，不论是屡创票
房纪录的“京味儿”贺岁喜剧，还是具有“史诗”色彩、年代跨越大、人物命运
跌宕的正剧，抑或是紧扣当下现实、细腻刻画“小人物”悲凉无奈的生存困境，
他都能以内敛、不温不火的风格“轻松”驾驭。本文从葛优的成长经历入手，将
其饰演的角色分为四类：“京味”喜剧人物形象、生存窘迫、内心挣扎的“小人
物”形象以及具有幽默色彩甚至立体性格的“反派”形象，对这位戛纳影帝、平
民影帝、贺岁影帝所塑造的系列银幕形象，从语言特点、平民化取向、喜剧风格
和文化内蕴四个方面深入分析与阐释。 
语言是葛优塑造人物形象的重要工具，第一章从喜剧和正剧两种类型分析
人物形象的语言特点。其中喜剧形象特点是生活化、日常化的京味幽默语言，而
正剧体现语言风格错位现象。第二章立足于斯坦尼斯拉夫斯基表演理论，分析葛
优塑造人物形象的特点——平民化取向，其中包括本色表演、细节塑造、生活化
和市井化等特点，进一步阐述如何塑造平民形象。第三章围绕现有作品，从冷幽
默中的热思考、玩世不恭外表下真性情、游戏对象三个角度阐述葛优如何成为最
具辨识度、市场号召力较强的喜剧演员。第四章分析葛优银幕背后的文化内涵，
并通过与周星驰和新晋小生黄渤饰演的小人物形象对比，探寻葛优表演艺术的特
殊性。 
研究葛优的系列银幕形象风格特征，有助于更好地剖析葛优独到的表演艺
术，并进一步探索一个好演员对于电影，特别是贺岁电影、喜剧电影的重要作用，
对以后的演员表演、电影创作包括剧本创作均有积极的参考作用。 
 
 
 
关键词：葛优银幕形象  本色表演  平民化  京味喜剧  后现代 
  I
Abstract
Geyou is an outstanding actor who has excellent marketing appeal and artistic
status in contemporary China. He has the ability to manage various kinds of roles in a
tepid way, such as the one in a New Year comedy with box-office record and cultural
estate of Beijing flour; character destiny drama with epic color and time span; the film
stick to the present reality, describing Jack-a-Lent's sad and helpless living situation.
This essay will emphasize on the series of images that are shaped by the Cannnes
winner, civilian award winning actor and new film winning actor. The language
features, civilian orientation, comedy style and cultural connotation are four aspects
will be explored and interpreted in depth in this study.
Language is the important tool of ge you shape the character image, from the
perspective of ge series language characters have become common, as the first
chapter of this article, only briefly discussed, emphasis will be placed on the
following three part of this article. The second chapter, based on the stanislav
performance theory, analysis of ge you char