文档介绍：天津音乐学院
硕士学位论文
意念在二胡演奏中的作用
姓名:段成瑶
申请学位级别:硕士
专业:音乐学
指导教师:林聪
20071129
摘要
二胡演奏艺术是演奏者通过大脑的思维活动指导肢体运动,通过运用演奏技
巧来塑造音乐形象、表达音乐的内涵。二胡演奏是思维活动的过程和肢体运动的
过程。
本文试图从音乐表演心理学与音乐美学的角度,对演奏意念进行全面的归纳
和概括。将演奏意念中通感(包括旋律感,音高感,速度感,语调感,气韵感,
形象感)等一系列演奏意念的感知因素运用到二胡演奏实践中去。并结合了本人
平时演奏练习中的实践体会与心得,探索其演奏意念在二胡演奏中的应用价值。
本文分为三个部分
第一章,论述了意念的界定,以及演奏意念的特性与分类。
第二章,具体讲了在二胡演奏中的意念,并详细讲了通感作为枢纽在二胡演
奏意念中的作用。分为两个方面,初级层次的演奏意念感知因素和高级层次的演
奏意念感知因素。
第三章,论述了意念在二胡演奏艺术中的作用与应用。包括对演奏技术和情
感表现的作用。

关键词:二胡演奏意念通感
Abstract
The Er Hu (two-stringed Chinese fiddle) art is that the executant instructs limbs’
movement by the conceptual work of the brain, and figures the musical images and
expresses the intention of the music by exerting the performance skills. The
performance of Er Hu is the process of conceptual work and the process of limbs’
movement.
This paper tries to roundly sum up and generalize the performance impression from
the perspective of musical performance psychology and musical aesthetics. The
perception factors, for instance, synaesthesia which includes rhythm, tone, and flavor
perceptions in the performance impression are used into the practice of Er Hu
performance. The practical experience during the author’s daily performance is also
combined in it.
This paper contains three chapters.
Chapter One: Discourses on the definition of impression and the characteristics and
sorts of the performance impression.
Chapter Two: Concretely talks about the impression in Er Hu performance and
accurately indicates the functions of synaesthesia as hinge in the Er Hu performance
impression. There are two facets, the primary level performance impression
perception and the high level one.
Chapter Three: Discusses the functions and application in Er Hu performance art,
which consists of the function for performance skills and expression feelings.
Key words: Erhu performance, impression, synaesthesia,
天津音乐学院
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