文档介绍：南京艺术学院
硕士学位论文
民族声乐演唱中的风格问题探究--以《兰花花》为例
姓名:刘瀛莹
申请学位级别:硕士
专业:音乐学
指导教师:范晓峰
2011-05
摘要
本文从陕北民歌《兰花花》入手,对这首民歌的民族特色和文化背景进行初步的分析,
并从实际演唱入手,详细分析了演唱这首民歌的方法,包括了语言运用、气息控制和表现方
式等。自从有了不同的民族,就有了不同的民族歌唱。在分析《兰花花》的基础上,对中国
各地区民族声乐的地域特色进行了比较,进而对汉族和少数民族民歌的演唱有了初步的认
识。
中国的民族声乐艺术是中华民族古老文化的接近,在漫长的发展历程中,扎根中华文化
这篇土壤,不断自我完善,形成了独具特色的表现形式和艺术特色。进入近代,随着西方声
乐艺术的传入,无论从演唱方法还是教学理论体系的建设上,我国民族声乐的弱点诸如演唱
时声音穿透力不强、缺乏声部概念以及没有形成自己一套完整科学的理论体系等弱点也暴露
出来,使民族声乐面对西方美声唱法的挑战时显得底气不足。在几代声乐表演艺术家和教育
家的实践中,我们逐渐发现只有借鉴西方美声唱法的一些优势,与民族唱法结合起来,才能
有效增强民族演唱风格中的表现力。如果说民族声乐艺术发展到今天已是一个基础雄厚、力
量强大、影响越来越广泛的声乐学派的话,那么滋养这旺盛生命力的歌唱艺术的正是几千年
来中华民族的优秀文化。
关键字: 民族声乐;演唱风格;地域特色;文化特征;《兰花花》
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Abstract
This article analyses the national characteristics and cultural background of the northern
Shaanxi folk song "Lan Hua Hua" first and then the way to sing this song, including language
usage, breath control and performance mode. The emergence of different ethnic groups led to
different ways to sing folk songs. The pares different geographic features of national
folk music in different parts of China based on its analysis of "Lan Hua Hua", and then throws
light on the difference of the ways of singing between Han and other Chinese ethnic groups.
China's national vocal music is a result of the age-old Chinese culture. Deeply rooted in this
culture, the Chinese national vocal music has continued to improve itself over the years and has
unique forms of expression and art features. However, with the introduction of Western vocal
music in modern times, the Chinese national vocal music's weak points in performance method
and teaching theory, including its weak voice ration power and the lack of the concept of
voice part and plete scientific theoretical system, came into focus. As a result, China's
national vocal music seemed to be unconfident when challenged by the Western bel canto.
Practice of generations of Chinese singers and educationists has gradually made it clear that the
ex