文档介绍：西北师范大学
硕士学位论文
论中国传统山水画的空间意识
姓名:王远
申请学位级别:硕士
专业:美术学
指导教师:文化
2009-06
论中国传统山水画的空间意识王远

内容摘要:本文以近现代中国美术界对中国传统山水画空间营造问题认识的不统
一性为切入点,进而再次研究中国传统山水画独特的空间意识,并与西方写实主
义绘画的透视法进行全方位的比较研究,阐释西方绘画中的科学透视法与中国传
统绘画的空间意识是属于完全不同的理论体系。中国传统山水画的空间意识,是
根基于中国传统哲学思想的,画家在画幅中表现的是自己的心理空间观念及宇宙
观念,他们在绘画创作时可以借助物象揭示自己的精神世界,可以超越时空、超
越现实表现自己的主观感受,这种独特的空间意识无不是受儒家、道家、禅宗哲
学思想的影响。中国传统山水画的空间是超越了具体、客观物象的限制,有其独
特的思维方式及创作理论,如“以大观小”的思维智慧,“远”的精神意向,“计
白当黑”的重要表现形式等。所以说,中国传统山水画的创作不是画家直接的表
现自己生理视觉所见,而是一个“外师造化,中得心源”的过程,它是对客观自
然的超越,对视觉生理真实的超越,是一种“无往不复,天地际也”的空间意识。

关键词:中国山水画哲学基础空间以大观小远布白

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论中国传统山水画的空间意识王远

Abstract: This paper focuses on the inconsistency in creating Chinese
traditional landscape painting from the perspective of the Chinese modern
art circle, re-studying the unique space awareness of Chinese traditional
landscape painting, pared with the perspective in
western realism and indicates that the scientific perspective in western
painting and the space awareness of Chinese traditional landscape
painting totally belongs to two different theory systems, the latter of
which is rooted in Chinese traditional philosophy . What is shown is the
concept of spiritual space and the whole universe by the painters, whose
own spiritual world can be revealed during the process of painting
creation as a result of transcending time, space and reality to express
one’s subjective feelings. This unique space awareness is not influenced
by non-Confucianism, Taoism, Zen philosophy. In addition, the space of
Chinese traditional painting is to go beyond the limitation of specific
and objective images, occupying a unique way of thinking and creative
theory, such as the thinking wisdom of “take the Da as the Xiao”, the
spiritual intention of the “Yuan” and the important form of expression
as “take the Bai as the Hei”. In a consequence, the creation of Chinese
traditional painting is not directly