文档介绍：晚明文人画家李流芳扇面绘画鉴定研究中文摘要本文以李流芳扇面绘画为主要讨论对象,试图通过分析其绘画风格特点,进行真伪鉴定。李流芳流传作品约200件,扇面作品60余件,且多有上款人,这是一个特别的现象。大量的扇面绘画,扇面的特殊形制以及李氏作品中的众多上款人是本文研究的兴趣所在。本文以李流芳扇面绘画为研究对象,通过与宋元诸家米家、黄公望、吴镇、倪瓒风格的纵向比较,对李氏绘画产生重要影响的程嘉燧以及画中九友中其他七位画家的横向比较,确立李流芳区别于他人的独特的绘画风格特点以及在山水体系中所处的位置。然后根据其绘画风格特点,分析目前拍卖场所见李氏作品作伪的状况,主要有假托李氏之名的伪作;以及似李氏仿古作品面貌,但经仔细分析漏洞百出的伪作两大类。最后讨论李氏的交游与受画人等问题。李氏交游甚广,现在流传扇面中有许多上款人不可考便是例证。李氏扇面绘画有粗细之分,对不同的受画人,所绘题材及用笔不同。李氏晚年常在西湖,“无人不识”,皆持“素册”索画,扇面绘画多是赠送给“索画者”的应酬之作。李氏被繁忙的酬应所累,遂逐渐简化出区别于仿古、写生,具自家风貌的“李式”扇面绘画,即远山、近树、茅亭、作远眺状的点景人物,用笔及其简单、率真。关键词:仿古李式山水真伪交游受画人晚明文人画家李流芳扇面绘画鉴定研究 Abstract This thesis is intended to Li Liufang’sfan paintingsas the main subject for discussion, and tries to analyze the characteristics of the painting style, conduct the authenticity of identification. Li Liufang spread of about 200 works, fan works is over60 and more than the preceding paragraph of people, which is a special phenomenon. A lot of fan paintings, the special shape of the fan, as well as Lee 's works in a number of the preceding paragraph is of interest to this study. Cheng JiasuiIn this paper, Li Liufang fan paintingsas the research object, and the Song and Yuan dynasty Mi, HuangGongwang, Wu Zhen, Ni Zan style vertical, Lee's paintings have a major impact as well as in the other seven of the nine Friends of the painting horizontal comparison of the painter, established Li Liufang different from the others a unique painting style is characterized by the location in the landscape system. Lee's work, and b now in the possession of the major museums to identify the authenticity. Then, according to the characteristics of their painting style analysis to see the situation of Lee's works fake auction place, mainly through the medium of Lee pretending to be; and like Lee antique works of the face, but after careful analysis of the flawed pseudo two categories. Finally, Lee's Friends and painter. Lee's wide circl